Golden Li shangyin
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
Enjoy 1
The first couplet of the poem is inspired by the sad and sad Jinse, and points out the theme of "thinking of China". For no reason, for no reason, for no reason Fifty strings, historical records? There are 50 strings of ancient instruments in "Jing Guan Chan". Although there are usually 25 strings later, it is still self-contained. The first and second sentences of the poem say: A beautifully painted harp has fifty strings, and I am almost fifty years old. Every string, every column, reminds me of the years when the truth came out.
Couplets and necklaces are the core of the whole poem. The story of Zhou Mengdie in Lianzhuang is in Zhuangzi? The theory of everything: "Zhuang Zhoumeng was a butterfly, lifelike. ..... suddenly it feels like a week. I don't know if Zhou Zhimeng is a butterfly. Is the butterfly's dream Zhouyi? " The poem "Meng Xiao" refers to the dream when the sky is about to break dawn. "Being infatuated with butterflies" means being confused about their relationship with butterflies. In the face of fierce competition and drastic changes in the Warring States period, Zhuang Zhou produced the idea of illusory and impermanent life, while Li Shangyin used this allusion because of the decline of national strength, political turmoil and fate like duckweed in the late Tang Dynasty. Using this allusion also contains his sadness about the disappearance of love and life. He seems to have a premonition that he is going to die, and he wants to pour out his deep pain and resentment. Wang Di's legend is described in The Tale of the Universe: "Du Yu, the king of Shu, whose name was Wang Di, died of Zen and became a branch." Zigui is a cuckoo. The beautiful and desolate cuckoo described by the poet has sublimated into the poet's sad heart. Deep sadness can only be attributed to the sad cry of cuckoo in late spring. How pathetic.
Behind the neckline is a couplet, "New Tang Book? "Biography of Di": "(Di) cited the Ming Classics, transferred Bianzhou to join the army, and falsely accused officials. Yan Zhaozhi thanked him and said, "Zhong Ni said that you know benevolence and righteousness, and you are the pearl of the sea." ""reflection? Takeshi? Biography of Zhuge Ke: "But there are few talents. Sun Quan said that his father Jin said,' Lantian gives birth to jade, which is really glad you came.' "Pearl" and "jade" are both metaphors of poets, not only metaphors of talents, but also metaphors of virtues and ideals.
Through these two images, the poet expressed his sadness that he was endowed with outstanding talents and virtues, but he was not used by the world.
At the end of the poem, rhetorical progressive sentences are used to strengthen the tone and end the whole poem. "This feeling" summarizes the feelings expressed, while "successful memories" echo "China Thinking Year". Can you stay, indicating that this melancholy and sad "feeling" has long been lost, and it is difficult to get rid of it, and it is even more unbearable at this time.
This poem is full of artistic individuality, using allusions, metaphors and symbols. In the poem, butterflies and cuckoos are symbols, while pearls and jade are metaphors. They created a clear and beautiful artistic conception.
Appreciate II
This poem "Jinse" is Li Shangyin's masterpiece, and everyone who loves poetry is happy and the most famous. However, this is the most difficult poem to explain. Since the Song and Yuan Dynasties, there have been many speculations.
The poem Jinse uses the first two words of the first sentence. In the old theory, this poem was originally thought to be a poem about objects, but recently it seems that all commentators claim that this poem has nothing to do with the use of musical instruments, but it is actually an "untitled" work that uses musical instruments to hide topics. In my opinion, it is really different from the general chanting of things, but it is not just an untitled poem that simply "intercepts the first two words" and begins with a metaphor, which has nothing to do with the literal. What it writes is obviously related to Joseph.
There are many misunderstandings in couplets. According to this, the poet is "fifty years old" or "nearly fifty years old", so he is so happy. Actually, it is not. "For no reason" means "for no reason" and "for no reason". The poet's idiotic words are also. There are so many strings in Jinse, neither "wrong" nor "wrong"; The poet stubbornly complained: Jinse, why do you have so many strings? In fact, there is no need for "textual research" on how many strings are in the original work and how many strings are actually in Li Shangyin's era. The poet only uses words to see the meaning. According to records, there are 50 strings in ancient musical instruments, so the number of "50" is often used in writing musical instruments, such as "Fifty strings of Xiangling are beaten by rain" and "Because of 50 strings, the middle of the road is divided into palaces", which can prove that there is no special intention in the poet's original work.
The key to "each has its own flower-like troubles and a period of youth" lies in the word "New Year". A string, a column or a sound. There are 50 strings in a stringed instrument, and the syllables are the most abundant, and its numerous sounds promote the festival, which often makes the listener difficult to conceive. Poets never want to let people die and dig for "numbers". He said: Listen to the complicated strings of Jinse and think about China's past; The sound is complicated and confusing, so it's hard to say. The 50-string aims to "create an atmosphere" to see the weight of the past and the feelings of the nine songs. To appreciate Yuxi's poems, we must first understand the main idea, but we should not stick to the drum and column instruments. He Zhu, a poet in the Song Dynasty, said, "Who is the degree of golden flowers?" ("Jade Case") Yuan Hao, a poet in the Yuan Dynasty, asked: "The beauty Jin Se complains about the New Year!" (On Thirty Poems) Chinese New Year is a wonderful youth. The most important "main eye" of Yuxi's poem lies in the wonderful New Year, so it is just pedantic to use "50-year trip" to recall "49 years".
The intention of the alliance is clear. Let's see how he undertakes it.
The last sentence of Zhuan Xu uses an allegorical allusion from Zhuangzi, saying that Zhuang Zhou dreamed that he was a butterfly and flew vividly ... he forgot that he was "Zhuang Zhou". Later, when I woke up, it was still Zhuang Zhou at home, and I didn't know where the butterfly had gone. Yuxi wrote such a sentence: A beautiful woman, a beautiful musical instrument and a complicated string awakened the poet's dream and stopped sleeping. Lost, gone, does not mean. Let's take a look at what he said in "Autumn Night Thoughts": "Cold village pillow butterflies go", go and leave, go and die, which is his so-called fans. Although Meng Xiao butterfly was born in Zhuangsheng, once it was used in Yuxi, it was not only a "lifelike" problem, but also an illusory dream. The king of the next sentence in this couplet is the legendary monarch of Shu in the late Zhou Dynasty, named Du Yu. Later, Zen retreated, and unfortunately the country died. After death, the soul turned into a bird. As for the bleeding in the mouth, its voice is sad and touching, named Du Fu. Du Yu's spring, what does this have to do with Jinse? It turned out that the complicated strings and plaintive songs of the golden harp aroused the poet's infinite sadness. His unspeakable grievances, such as Du Fu's plaintive voice, sent him home in the spring. The word "Tuo" not only wrote Du Yuzhi's entrustment to Du Fu, but also wrote the entrustment of beauty to brocade, the waving of hands, the interest of flowers falling into the water, and the poet's wonderful pen, which reached a climax.
It seems that Yuxi's "Love for Du Fu" expresses hatred for birds, and the word "resentment" put forward in "Beauty Jinse complains about the New Year" is just right. Yuxi's poem eulogizes the golden harp, which is extraordinary and carefree, and has a strange feeling that I hate.
After the couplet, the poem has been "started" and "closed", and it is time to "turn" the pen. When the pen comes here, the previous situation has reached a very small level, which seems to be a knot, meaning to be applied. Here, touching the pen and ink, it seems to be "getting up" again. His brushwork is like a towering mountain peak, or a broken line, or pushing the pen down, or slow and tight ... The technique may be different, but the thread of God is turning and has been paying attention. At this time, Yuxi wrote the famous sentence "Mermaids shed pearl-like tears down a moon-green sea".
Beads are born in mussels, and mussels are born in the sea. Whenever the moon is bright and quiet, mussels will open their mouths to raise their pearls, and pearls will grow into moonlight before the aurora shines. This is a beautiful folk tradition. The moon is a pearl in the sky, like a bright moon in water; Tears, like beads, are natural since ancient times. Jiao Ren's tears turned into pearls, which is also a strange sight in the sea. In this way, the bright moon falls between the seas, and pearls are bathed in tears. The moon, pearls and tears are three votes in favor and one vote against. Divided into three? Three is one? In the poet's pen, an indistinguishable fairyland has been formed. We read Tang poetry, but with such rich connotations and wonderful associations, living in Yuxi is not much.
So, is there any connection between the sea moon, tears and Jinse? Qian Qi's famous "Qin Fu" doesn't say that "25 strings play jathyapple, and you can't clear your grievances and fly away"? Therefore, the moonlit night is appropriate, and the grievances are particularly deep. In this way, the relationship between the territory of Haiyue and Sese can't be spied?
For the poet Yuxi, the realm of the sea and the moon has a particularly deep feeling. Once, due to illness, he couldn't bow to Hedong Gong's "Happy Camp to buy wine", so he wrote the sentence "Only take the bright moon in the sea and press the red city". From this perspective, on the one hand, he appreciates this situation, on the other hand, he is very sad and lonely: a complex and unspeakable disappointment.
Si Kongtu, a poet in the late Tang Dynasty, quoted a passage from Dai Shulun who was earlier than him: "The beauty of a poet, such as the warmth of Lantian and the essence of jade, cannot be placed in front of us." The eight words used for metaphor here are exactly the same as the seven words in the next sentence of this poem, which shows that this metaphor has another source. Unfortunately, the ancient books were lost later, and it was difficult to find the source again. The explanation of this sentence has no reference today, and it is hard to say whether it is appropriate or not. Lu Ji, a writer in the Jin Dynasty, has a famous sentence in his "Wen Fu": "Stone is like jade, mountains are only light, and water is like pearls." Lantian Mountain is a famous jade-producing place in the southeast of Lantian, Shaanxi Province. This mountain is sunny and contains jade gas (the ancients thought that treasures have phosgene invisible to ordinary eyes), and Ran Ran rises. However, although the essence of Meiyu is far away, it is not close, so it is out of reach, representing an extremely beautiful ideal scenery, but it is impossible to grasp and approach. Here in Yuxi, inspired and associated by "the Jade Mountain is bright, the pearl is bright, and Sichuan is charming", the warmth of Lantian is used to make a confrontation with the previous sentence, which has a sharp contrast. Literally speaking, Lantian is also very neat to the sea, because the original meaning of Cang is cyan. Yu Xi's exquisite rhetoric can also show his talent and skills.
The two sentences of the neck couplet show that yin and yang are warm and cold, and jade is beautiful. Although the realm is different, regret is one. The poet loves and insists on this noble feeling, but he dare not profane and lament.
The tail couplet is a masterpiece of the whole article, and clearly puts forward the word "this feeling", which echoes the beginning of "China Year" at a distance, and the pen gesture is never shy. The poem says: If you feel this way, you will feel endless regret at the beginning of today's memory, that is, it was already disturbing at that time-that sentence means "Do you want to remember", which means: If you look back at today, it is a pity, so what! The poet expressed several layers of twists and turns in two sentences, and several layers of twists and turns were just to illustrate that kind of distressed mood. This is the reason why poetry is a poet, and this is the reason why Yuxi poetry is a Yuxi poet.
Yuxi's life experience, unspeakable pain, bitter feelings, stagnation in the chest, hair like poetry, deep wounds to be stung, reciprocating deep, deeply infected people. One of his farewell poems said: "I believe in many feelings, and Yang Zhu died with feelings;" The hostess is in danger, and the hostess is chilling. ..... "Zheng is a song, and it often depends on the bitterness of life and death. Based on this, I think if there is hatred in Jinse's poems about where you will go, I'm afraid it can't be said to be all arbitrary.
At the same time, for this poem, I recommend an interpretation of Yi Ru in "Life is like First Meeting".
At the age of 23, Li Shangyin studied Taoism in Yuyang Shandong, Henan. The worship of Taoism in the Tang Dynasty began with the great ancestor Li Yuan. Emperor Tang, who is of Xianbei descent, is a descendant of Li Er, an old gentleman of the royal family. For the sake of Li myth, a religious atmosphere of "worshipping Taoism and restraining Buddhism" was formed in the Tang Dynasty. Even if he is a son of the royal family, he will inevitably be sent to the Taoist temple for rectification.
This trend reached its climax in the Xuanzong period of the Tang Dynasty. By the time of Wuzong, the wind of "worshipping Taoism" reached its climax again, and scholars learned Taoism and cultivated immortals, which became a temporary wind. So Li Shangyin, who followed the fashion, also went to learn Taoism. Li Shangyin was very serious when he first studied Taoism in Yuyangshan. He worked hard on the Taoist classic "Taoist Collection", so that many sentences and metaphors in his love poems later came from "Taoist Collection". However, as Laozi said, "the blessing lies in misfortune, and the disaster lies in misfortune." Gifted and intelligent, he is addicted to Confucian classics, and at the same time, his understanding of indoor art has greatly deepened. His desire for men and women is like spring grass burying roots. If it doesn't conform to the spring breeze, it doesn't matter. Once there is, it is hard not to sprout luxuriantly.
One day, just like a man walking in a mountain forest without rain gear, he was caught in a sudden rain. When he was young, he met his first girlfriend Song Huayang. Song Huayang is a maid-in-waiting who serves the princess. She went up to the mountain to practice, and lived in Ling Du Temple in the western hills of Yuyang. Unexpectedly, Tao Xin failed, but love came unexpectedly. Because she and Li Shangyin often travel between two peaks, young and beautiful, she soon fell in love with Li Shangyin at the same time.
Li Shangyin and Song Huayang know that their feelings for each other are not allowed to have ethics. Although in those days, it was not uncommon for Princess Wang Sun to cheat in the name of learning Taoism. According to legend, Princess Gaoyang also has a son with a debater and monk, but strict rules and regulations can only open the door for the privileged class. As the saying goes, "only state officials can set fires, and people can't light lamps." This is the case in the world.
So they have to have fun secretly. The physical fit and the wild and unfamiliar stimulation brought by the affair made them inseparable. Sometimes you can feel the indescribable beauty of love without taking the usual path. But after a short pleasure, deep loneliness will haunt two people. As he wrote: "I met her a long time ago, but since we broke up, the time has become longer."
The forced fire of love is often particularly fierce. On every party night, they try their best to release themselves like moths to a fire. However, when we were apart, we hugged each other sadly, and at dawn, we had to leave each other again. It's gloomy when the window is separated, and the stars sink to the bottom of the sea. Our good times have passed and we can't help but feel lost. Li Shangyin looked at the bright moon on the ice wheel outside the window, caressed Song Huayang's face, and said the oath of love sadly: "If Zhu Xiao is bright and firm, a tree must have water." At this point, Song Huayang could only snuggle in his arms and cry silently.
At dawn, the mood is not strong, watching the long river gradually fall and the stars sink. When he is deeply in love, he regards her as the highest and cleanest moon, just like Chang 'e in the moon, so he hopes that the sun will not rise tomorrow, and he will sink into the darkness with her, leaving the beautiful scenery of love between his fingers.
The result of passion is that Song Huayang is pregnant. The above orders: drive the man down the mountain and send the woman back to the palace. What awaits them is eternal separation. ...
Time can kill feelings, but not love. Few people can easily forget their deep love for the sea, and I believe Li Shangyin is the same. His secret love with Song Huayang is really not publicity enough. However, Yishan is a person who deeply loves the past, so he is very smart and expresses his heart with the Taoist expression of "secret words". In this way, many of his poems are more profound and give us a lot of speculation and speculation.
After a long time, he sighed, "Chang 'e should regret stealing the elixir. "He should know that Song Huayang is unrepentant because he has never repented himself. He wrote many poems for her, the most famous of which is Jinse.
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
He sighed for the moon only because "a moment that should last forever has come and gone before I know it". In the blue sky and clear night, he missed the woman who didn't know the ending. Like Chang 'e, she was deeply locked in the Guanghan Palace, and it was lucky to die quietly.
"Looking back at the high city and the river, the pavilion window presses the microwave. Narcissus wants to go to carp, and Furong cries a lot all night. " This is Farewell to Banqiao, which he wrote when he left Beijing. After the beautiful scenery tonight, there is still one place left; Lotus red tears like blood, tentacles sad and cold, I thought this was the last mark you left me. The mark of love.
However, missing is as cold as frost and snow. If the sun shines in the morning and you and I are still empty-handed, please don't despair and take good care of me. Even when you say goodbye to love, I hope you are all right; When I stop loving you, maybe it's not that I don't love you, but that I can't love you anymore.