Wildflowers bloom all over the true mother's tomb, and the peerless beauty Committee reveals its true colors. This is a victory in life. Thousand-year-old poetry talks, one loess, ten miles cold _ language. The first article of this word was written about He Lv Gusutai, the prince of Wu, and the second article was written about the tomb of a famous prostitute in the Tang Dynasty. The former symbolizes the hegemony of the king, while the latter symbolizes the beauty of the face. What is "a wanderer teaching singing and dancing"? This is the work of Wu Yue in the Spring and Autumn Period. He Lu "wanted to start an army to punish Chu" and "dominate the world and bully the vassals", invited Sun Wu, who was good at the art of war and lived in a simple way, to practice the art of war in the palace, and listened to the rumor of Wu Zixu that "the soldiers are brave and can't bend the law". He reluctantly let Sun Wu pretend to be the "commander-in-chief's army" but "covered his mouth and smiled" in practice. Fu Cha, on the other hand, said, "On the day of retirement, the official is in Gu Xutai.". When he woke up, he asked Taizai to interpret his dreams, but he listened to rumors such as "Yuefu Drum" and "Maid-in-waiting Yue Le playing the harp and harmoniously" and became more and more dissolute. In today's words, He Lu doesn't love red makeup and military commanders, but Fucha, the black sheep who takes Gusutai as the training ground, only loves red makeup and abandons ancient costumes, and Gusutai has become a song and dance carnival.
However, Wang Guowei advocates that "poets should look at things from the perspective of poets, not from the perspective of politicians". "The king wasted a flat industry and got a few acres of land in Tang Lei." Just when Yang Di finally got a few acres of graveyard, He Lv, the king of Wu, was left with a barren Gusutai. Therefore, the word "drunk and dreamy, unbearable to look back" still hangs in the past. On the contrary, although Zhen Niang has returned to the dust, her grave has blossomed everywhere, and many poets and writers have won poems and shed tears of sympathy. "The Millennium poetry circle is made of loess", which is another "human world" in the eyes of poets who are "connected with the past and the present".
References:
Ye Jiaying 1. A New Interpretation of Wang Guowei's Ci: China Bookstore, 2006: 74-792, Chen Hongxiang. Comments on Ren Jian Ci and Ren Jian Ci: Jiangsu Ancient Books Publishing House, 2002: 383 pages.